Someone Must Look is an audiovisual work that requires the presence of a viewer. A single participant enters the room and is seated in a chair, engaging the work which then engages the viewer. The concept of the piece explores how authority figures amass power by exclaiming others to be defected in some way.

NEWS and updates

press: MFA in Expanded media profile


Link to article.

atlanterium festival


Graveyard Shift is to be included in the 2017 Atlanterium Festival in Atlanta.  The outdoor festival uses an open air mobile projection dome, designed after the projection area of a traditional planetarium.

iari research fellow


I will be employed at the University of Kansas this fall as a Research Fellow with the Integrated Arts Research Initiative. This program, supported by the Andrew W. Mellon Foundation, integrates the arts with different fields of research.  More information can be found here.



The Drink You Drink was nominated for Best Sound last week at the Wolves Independent International Film Awards in Lithuania.

Graveyard Shift to be screened in Matera, Italy as part of the Matera Intermedia Festival.

la underground film forum


The Drink You Drink received an honorable mention from the LA Underground Film Forum today. Thanks to the folks who put festivals like this one together.

INTERNATIONAL PREMIERE ofthe drink you drink


The Drink You Drink was accepted into a film festival in Bangalore, India called "Jhelum Short & Long Film Festival". This is the international premiere of this work. 

The drink you drink: an experimental film


The Drink You Drink  is an experimental 25 minute film. It is sound-driven. It is symbolic. It is inspired by the idea that two seemingly different things can in fact be the same, and that these two things may each lead to the same dark end. 

The film is divided into three sections. Each part may be thought of as an intensification of the plot.




I recently completed a large project on the analysis of Bach's harmonic rhythm and how that analysis might be used to come up with new musical ideas. The paper (and appendices) are available in the 'Writings' section of this site. I think it is important to demonstrate (from time to time) how we use what we learn during the study of music.



I will be premiering a new multimedia work tonight in Lincoln, Nebraska entitled "LoveBug". Electric guitar, electric bass, piano, Disklavier, electronics and video. 



I will be writing a paper about one of my new pieces. This piece uses elements of Bach's "Herr, unser Herrscher" in completely different ways. I have discovered a method of harmonic analysis developed by Joseph P. Swain that takes into account several different factors that contribute to harmonic changes. I find it strange that, for so long, harmonic rhythm was defined as merely "when the chord changes". There are several other elements involved that can provide us with a greater detailed picture of harmonic rhythm.

The First Ten Bach Chorales: Analysis and Commentary  


If you have visited my blog section recently, you will have seen about 5 or 6 posts related to Bach chorales. I believe these short harmonizations of a melodic line can serve as a sort of gallery of techniques that composers have used throughout the centuries in order to create logical, cohesive pieces of music. I am hoping to combine the analyses and commentary episodes from this year into one document by the end of this year, which will be entitled The First Ten Bach Chorales: Analysis and Commentary. The analysis of Bach is not the primary goal of this project. Another dimension is that of relating classical techniques to other moments throughout the history of music.  I believe this will be a very useful tool for young students of music theory and composition so that they can see how what they learn in a classroom can actually play out in modern music.



Last year, I started exploring interdisciplinary art, which resulted in a piece entitled Graveyard Shift.

This year, I am devoting my compositional output to works of the same genre. The piece will be for video, electronic sounds, voice, guitar, bass guitar, piano and Disklavier. All of the sounds are being created with analog technology: subtractive and additive synthesis. 



I can now say I have had my music played on the west coast thanks to The Santa Cruz New Music Society

They will be playing my first major multimedia work (Graveyard Shift, 2015) at the The Art Bar and Cafe on July 9th. Thanks to Scott Stobbe and others involved with this group for playing new music (and for supporting alternative concert venues).